Girls who are boys Who like boys to be girls Who do boys like they’re girls Who do girls like they’re boys Always should be someone you really love
– Blur, Girls and Boys
In one tweet, Xiaxue – still at it all these years – has managed to offend not just the K-pop cult, but some members of the LGBTQ movement who consider the word ‘tranny’ derogatory. Well, what alternatives could she have used if the tweet was intended as an insult?
Bapoks? Pondans? Transvestities? Ladyboys? Shemales? Ah Kuas? Queers? Nope. Would ‘cross-dressers’ deliver the same punchline? Probably not. ‘Sissies’ sounds old fashioned, the kind of insult your granduncle would have used on the 80’s sensation New Kids on the Block.
OK how about the politically correct terms. Transgender? Transexual? Or the bewildering ‘non-binary‘, a term that seems to describe calculators rather than actual human beings. If she had said ‘look like a bunch of girls’, it may even be taken as a compliment, because maybe these performers DO want to look like girls. Neither would you use ‘drag queens’ because these kids are nowhere as fabulous. And it would be an insult to Kumar.
So yes, in order for the insult to ‘work’ and since no celebrity is immune to insult, Xiaxue decided to use ‘tranny’, which to me has the same borderline effect as referring to someone as ‘cheena’ without coming across as a blatant racist. Would LGBT people find it offensive if I say to a ‘cisgender’, straight person ‘that shirt makes you look gay’? Or ‘That hairstyle makes you look like a butch’? Why can’t ‘tranny’ be an identifier like how people call others ‘geeks’, ‘weirdos’, ‘tai-tais’, ‘mummy’s boy’ or ‘gym-rats’ without someone flaming you for being an insensitive bigot?
If you need to point out a transgender in a crowd to another party, imagine the awkwardness of coming up with a description. Um, the guy wearing lipstick. The one in a dress with muscular arms. Would you even say the word ‘Transvestite/Transexual’? Have we become so PC that you need to describe a trans individual carefully without making references to either gender? Like ‘You know – hand gesture – nudge nudge- wink wink’.
Being an experienced blogger who gets paid for attention, I’m sure XX knew what was coming when she threw the bait. Ultimately there are only 2 people in the world to stand to gain from this silly altercation: XX herself and the ‘Tranny’ Band from Korea.
From ‘Madonna could perform in Singapore for the first time’, 29 Nov 2015, article by Jermyn Chow, ST
Queen of pop Madonna, who was banned from performing her controversial Girlie Show World Tour here in 1993, seems set to strut her stuff in Singapore for the very first time.
Home-grown concert promoter IMC Live told The Sunday Times it is in talks to bring the 57-year-old American star’s ongoing Rebel Heart tour here for a one-night concert for 30,000 at the National Stadium.
…For the Singapore gig to be given the go-ahead this time, The Sunday Times understands some songs may have to be dropped from the setlist.
Bitch, it’s Madonna, the only singer to continue chart-topping since the Michael Jackson ‘King of Pop’ era. I was a casual fan in the 80’s, when she brought the world timeless ballads like ‘Live to Tell’, ‘Crazy for you’ and sugary pop gems like ‘Holiday’ and ‘Open Your Heart’. She was Material Girl, Madge, Maddie, sex kitten, goddess, Kaballah practitioner all at once. When you look up ‘raunchy’ in the dictionary, you will find Madonna in a bustier.
She has come a long way since the days of the conical bra and Vogue. Things spiralled downhill after she remade American Pie. Today, she struggles to keep up with the Youtube and Spotify generation, sometimes ending up like the Auntie in denial gatecrashing a dubstep party when she should really should be line-dancing. Her ‘Bitch I’m Madonna’ collaboration with Nicky Minaj is a case in point. Most singers her age would be more comfortable dueting with the Bee Gees instead.
Despite attempts to stay edgy and relevant, Madonna remains revered among the Pop Princess sorority, from the Britney Spearses to the Arianna Grandes. No one denies her accomplishments, but as iconic as she is, the fate of the Rebel Heart Tour remains at the mercy of the MDA, and a certain lot of Singaporeans among our midst who will stop at nothing to ban her from these shores, the very same people who signed petitions against openly gay Adam Lambert from performing at the Jubilee Year End concert.
Other than being an active promoter of the LGBT cause, there are several more reasons why Madonna may find herself ‘Swept Away’ by the prudish powers that be.
Hentai Demon Rape
In 2002, the ‘Drowned World Tour 2001′ DVD was banned for sale here as it featured an animation sequence of a monster raping an ‘Asian looking girl’. You can, of course, find the link to the video on Youtube.
2. Insulting Christianity
Another DVD ban. In the ‘Confessions’ tour, Madonna sang ‘Live to Tell’ while strung up on a cross. This coming from the same woman who brought us the blasphemous ‘Like a Prayer’ video, where the cross was sexualised as a cleavage accessory to black lacy lingerie. And that was in 1989, way before Lady Gaga bugged the Christian community with less spicy stuff like ‘Judas’.
3. Random violence against men
The Guy Ritchie-directed video ‘What it Feels like For a Girl‘ was banned in 2001 because it depicted Madonna going on a misandrist rampage. An advisory warning by MDA alone would not be enough to protect our local men from being castrated on site if all the ladies in the house transform into Amazonian cannibals.
4. Lesbian kissing
5. Drug references
One of Madonna’s more recent albums was titled MDNA, which is one letter away from controlled drug MDMA. You may know it as Ecstasy.
6. Kinky BDSM and Androgyny
Till today, the steamy Justify My Love video continues to stir loins. 20 years later we would have Fifty Shades of Grey. How many more reasons do we need to justify her ban?
If all goes well, we could have the first almost-sexagenarian to perform to a sold-out crowd in Singapore. Toned down or not, Madonna could earn more from this single show than all the Air Supply concerts combined.
Taiwanese media reported that Jolin Tsai’s song and music video, “We’re All Different, Yet The Same”, has been banned in Singapore. According to Mingpao News, the Media Development Authority (MDA) has sent ban notices to television and radio stations in the country so as not to air the song or the music video.
It was reported that the song has been banned because of the lyrics that encourage the pursuit of equal rights of marriage for the LGBTI community, which conflicts with the laws in Singapore.
…The music video for “We’re All Different, Yet The Same” was inspired by the story of a lesbian couple who has been together for 30 years. It features a wedding scene between Jolin and featured Taiwanese actress Ruby Lin.
UPDATE 25 May 2015: MDA has clarified that the song is not ‘banned’ here, but rather ‘allowed with the requisite age rating and consumer advice’, yet it has also advised broadcasters not to play the track or the video on channels that are ‘freely assessed’ by younger viewers due to ‘mature content’. I wonder what it does mean, however, when an actual ban is in force. I suppose it means you can’t download it from the internet, order the album/single online, sing it as karaoke or do a cover of it and upload your version. Youtube doesn’t even seek an age verification from you before streaming it, though. And you can still listen to F-bomb loaded rap songs about random raping in Forever 21. ‘Allowed with age rating and advice’ begs the basic question of, well, allowed WHERE exactly.
Jolin’s video raises an interesting question about the gay stigma and the institution of marriage: If you do not have family or relatives to make a critical life-or-death medical directive on your behalf, can your partner do it instead? Also, it has two women kissing. Beautiful women kissing, may I add.
Alas, MDA doesn’t care about ethical debates and only axes stuff if it gets them hot under the collar and breaches their own guidelines. They somehow decided on the sly that a video depicting gay marriage is not quite the ‘right thing’ that our population should be viewing. The fact that it was not released as a media statement like how they shut down A-Mei’s Rainbow suggests that they had intended to contain their act of censorship before it turned viral, knowing full well that one, people won’t be too happy about it, and two, anything banned by MDA will be inevitably the most searched and shared item on Youtube and Google.
If it does eventually blow up, they’d be forced to issue a press release giving the same old same old, and by that time hordes of K-box enthusiasts would have already put Jolin’s song at the top of their weekend singalong playlist, crying at the end of it because it tells such a touching story about love in a short few minutes, and also in shame because Singapore’s probably the only country to ban it. And sneakily too.
As a media ‘development’ authority, however, they continue to severely underestimate how the ‘media’ works. Some years back, a couple of Mediacorp actresses sprung a kinky surprise on the broadcaster by kissing each other on the mouths during a live telecast of the Star Awards. The re-run was censored, but everyone who went nuts over the girl-on-girl action just wanted to replay the kiss in slow motion on Youtube. Who cares who got into Top 10 list of Most Popular Actresses? Katy Perry’s ‘I Kissed a Girl’ was also reportedly banned from airwaves, but she JUST PERFORMED the damn song here earlier this month during her Prismatic tour.
In fact, some of the kisses that we DO allow in M18 movies are hotter and wetter than the chaste wedding peck between Ruby Lin and Jolin Tsai. Some movies that do not involve lesbian sex at all get severely restricted because they feature gay families doing stuff that normal families do. At least NLB got more proactive after the penguin debacle. MDA can’t make up its mind if lesbians french-kissing or a loving couple in matching wedding outfits is more objectionable.
MDA also doesn’t care that Singaporeans read widely enough to know that marriage equality is happening in developed countries all over the globe, that we don’t need a controversial touchy-feely video to tell us why it’s worth supporting, even if the government maintains its ‘conservative’ stance. Even the ST has no qualms about publishing an article about Ivan Heng being a happily, married man, notwithstanding that it was a gay marriage. Moral of that story? Find happiness, screw the haters. Apparently MDA thinks this message is as dangerous as someone teaching you how to rig a drone with explosives and fly it into a government building.
So there is a ‘light touch’ after all when it comes to banning LGBT anthems, so light in fact it hardly made a sound, like a tip-toeing ninja assassin in the night, but soon caught out like a cowardly rabbit in the headlights.
From ‘Future Music Festival Asia’s appeal for permit denied’, 7 March 2015, article in CNA
Future Music Festival Asia’s appeal for a permit has not been approved, the Ministry of Home Affairs said in a statement on Friday (Mar 6). “The Minister for Home Affairs has carefully considered and turned down the appeal by Livescape Singapore to hold the Future Music Festival Asia 2015 in Singapore,” said MHA in a statement. It said the appeal was received on Mar 3, and the outcome was conveyed to organisers Livescape Singapore on Mar 6.
Livescape Singapore, which has sold about 15,000 of the 20,000 tickets available for the two-day festival, previously submitted applications for a public entertainment licence to the police in January and last month, but was rejected both times. Police cited “serious concerns” over potential drug abuse at the event.
…The festival, which had a three-year run in Kuala Lumpur, has been marred by drug problems. Concert organisers had to put a stop to the event on its third day last year, after six Malaysians died of drug overdose and another 16 people were hospitalised for drug-related reasons.
Several Singaporeans were also hospitalised after a suspected drug overdose. Two were later charged for drug offences in Kuala Lumpur.
In Parliament on Friday, Senior Minister of State Masagos Zulkifli said that the Government is “keeping an eye” on music events, over concerns of potential drug abuse at such festivals.
In 1970, Woodstock: THE MOVIE was banned in Singapore. No official reasons were given then, but for a nation that also banned Puff the Magic Dragon, it became clear that the censors deemed Woodstock as not only a vile gathering of unsavoury, promiscuous, slovenly hippie characters who strut around nude, but also as a rock bacchanalia promoting and glamourising drug use.
Then ‘electronic music’ in the form of techno/trance arrived on the scene, and the Ecstasy-fuelled ‘rave party’ was born. Not only was such head-bobbing monotonous music conducive to getting high or stoned, it also served as a mantric, vulgar call to arms for secret society hooligans, as depicted in Royston Tan’s ’15’.
We mananged to keep Zoukout in check though, thanks to an army of security officers, though that didn’t stop people from falling into the sea and drowning, or getting molested. In fact, the risk of getting drunk or groped, whether it’s a rave or a state-sponsored New Year countdown, is higher than you slipping into a psychedelic death trance after popping some fun pills.
Zoukout isn’t all that innocent as we might think. Some folks have called for a total ban on that as well, for promoting a hedonistic lifestyle, spreading STDs and encouraging people to have random sex on the beach. The Zouk management insisted that this was the work of a few black sheep, and we shouldn’t allow such ugly incidents to taint the image of Singapore as THE nightlife destination in all of South East Asia.
Not that drug abuse isn’t already happening anyway. If you can’t drop some ketamine or mephedrone at beach festivals, you can always do it in the clubs, or ‘house parties’, where you don’t have nosy bouncers or undercover cops poking into your business all the time. This isn’t the first time we’ve deemed music a threat to public order and civilization as we know it. We’ve pressed the mute button for Thaipusam festivals, for example.
If it’s not due to knee-jerk ‘serious concerns’ over drug use, we also have zero tolerance towards artistes promoting the ‘gay lifestyle’. In 2005, an Action for Aids charity concert Affect05 was banned because it featured a gay couple as lead singers. Some Christians were aghast that openly gay Adam Lambert was performing in Singapore. Taiwanese veteran Ah Mei was banned from performing ‘Rainbow’ at Gardens by the Bay. It appears that succumbing to toxic hallucinations from Avicii-induced euphoria is just as bad as having the idea drilled into your head that ‘gay is OK’.
Maybe we should ban the Laneway festival as well, for turning our clean and green Singapore into a hideous ‘garbage city‘. Not to mention K-pop boyband concerts, for inducing cult-like behaviour. How about F1 concerts? In 2013, mega superstar Rihanna was allegedly high on weed while lip-synching on stage. Think of the harm this would do to her teenage fans! It’s been a while since we’ve seen the ‘Stomp!’ troupe performing in Singapore. Maybe we secretly banned them because they encouraged people to pick up random trash cans and sticks off the street and raise a ruckus, fooling the police into thinking that a riot is happening. And finally Sentosa New Year countdown parties too, because we don’t want women to get gang-raped in full public view.
What we’ll have left is ‘good clean, wholesome, drug-free fun’, like Air Supply or Kenny Rogers in concert, where you’ll be exposed to love ballads about the sun and the rain and not think about getting high on marijuana at all.
UPDATE 9 March 2015: FMFAsia is officially cancelled. You could say it won’t be coming our way anymore in the near..future.
From ‘Ban on playing music at Thaipusam aimed at ensuring peaceful procession:Iswaran’ 5 Feb 2015, article in ST
The ban on playing music at the annual Thaipusam procession was introduced because of past incidents of fights breaking out between competing groups which disrupted the procession, said Second Minister for Home Affairs S. Iswaran. The ban, which has been in place since 1973, also applies to all processions, and not just Thaipusam, Mr Iswaran told reporters.
Given that Thaipusam is the longest foot procession in Singapore which goes through major roads in the heart of the city, it is even more important to make sure that the procession is conducted in a peaceful manner, he added.
…His comments followed the arrest of three Singaporean men over a scuffle that broke out on Tuesday evening during the annual Thaipusam procession. Police said organisers had asked a group of people to stop playing traditional Indian drums as it was not allowed under the event’s police permit.
Following the incident, some have questioned the ban on musical instruments at the annual procession. Responding to this, Mr Iswaran said the authorities have in fact made special concessions for Thaipusam and a couple of other Hindu foot processions, pointing out that there is a ban on religious foot processions, which has been in force since 1964 following “some very bad episodes and experiences“.
Back in 1981, the police had a different explanation for the banning of music from religious foot processions, that it wasn’t so much the music itself that was disrupting the peace or inciting people to beat the hell out of each other like alcohol does, but that it moved people to DANCE all over the streets and block traffic in their spiritual ecstasy. The 1973 ban, of course, didn’t stop people from bringing on the bongos still, and things got ugly when the police tried to seize drums from participants in the 80s, with one cop suffering a black eye for performing his party-pooping duties.
‘Musical instruments’ back then included portable radios and cassette players, and I’m not sure if the police would swoop in to restore order and silence if devotees were playing ukeleles, harps or doing mass accapella instead. In 1984, there were Thaipusam near-fatalities after a fight and stabbing in Serangoon, music or no music. The ST did not mention if those involved ‘smelt of alcohol’. Nor did anyone consider the possible theory that maybe it’s not thumping music or dancing that’s responsible for a religious procession turning into a Little India riot. Maybe it’s, I dunno, dangerous WEAPONS perhaps? Instead of looking for parangs, the police are raiding boom boxes. If someone rolled in a grand piano, they may just gun the damn thing down before it hypnotises people into a murderous trance. It gives new meaning to the term ‘killer beats’.
The penalty for holding a parade without permit in honour of some deity’s birthday, Hindu or not, can earn you a $1000 fine, or up to 3 months jailtime back in 1989. The police won’t do anything, however, if you decide to hold a funeral bash, banging drums, gongs and cymbals included, for a deceased loved one. Best not to anger the spirit of a dead grandmother I suppose, compared to say Lord Muruga or the Monkey God.
It’s interesting how it’s only parades on foot that are illegal. What if I went around on top of a tooting bus cheering at the top of my lungs in a victory dance interfering in people’s business and getting them to wave at me? Wait, you mean this has actually happened before? With no police around to grab people’s loudhailers and telling truck drivers to STFU with their horning? The audacity!
From ‘Forever 21 apologises to Gurmit Singh’s daughter over offensive music’, 16 Oct 2014, article by Yeo Sam Jo, ST
Fashion retailer Forever21 has apologised to actor Gurmit Singh’s daughter, Gabrielle, after an open letter she wrote criticising the music played at one of its outlets went viral online. According to an update on the 17-year-old’s Tumblr blog on Wednesday night, Forever21 apologised for the music, which she had described as “horribly misogynistic” and “damaging” to the women and young girls who frequent the American brand’s stores.
She wrote: “F21 has responded and apologised for the music, which is pretty great! However, misogyny as a common occurrence in our everyday lives is still a big issue, which is why I’m leaving this post on my blog.” Her father, local celebrity Gurmit Singh, also took down one of his Facebook posts of the incident at about 10pm on Wednesday night, explaining that they had managed to get in touch with the store’s manager.
In her original post about a week ago, Gabrielle recounted how while she was shopping with her mother and baby sister at the Forever21 outlet in 313@Somerset on Orchard Road, the store was “blaring” songs with lyrics that were derogatory to women, such as “half you b***hes like p***y too”.
Speaking of bitches, Forever 21 was once criticised for refusing entry to guide dog Esme and her owner Cassandra Chiu, whom Joe Augustine refers to as an ‘asshole’. I doubt anyone would use the same insult on Gabrielle for her hissy fit against an explicit rap song played in a fashion boutique. This ‘open letter’ appears to ride on another pro-feminist leaning tirade by a Hwa Chong student against an offensive sex education booklet, accusing the perpetrator for promoting ‘rape culture’. In Gabrielle’s original blog post, she rants about F21 promoting a belief that ‘men only love women if they suck their penises’. It looks like AWARE are spoilt for choices for future board members.
Naturally, I searched for the song that pissed off Gabrielle and made her queasy when she was trying on clothes. Titled ‘P.W.A’ by rap collective 5th Ward Boyz, the ‘gangsta’ track goes right into the subject matter, its first verse and chorus being ‘Pussy Pussy Pussy Pussy’. In summary, it’s about some drunk horny gangstas high on weed going around hunting for ladies who receive fellatio from after doping them with weed and alcohol (hence P.W.A). There’s a lyric that goes ‘stick yo fingers in yo cat, taste yo uterus’, which makes these fellas from the hood not just date rapists, but practitioners of bestiality with 10 inch tongues. Nasty stuff, and it was indeed tasteless of F21 to play this dope shit, though by calling them out, Gabrielle has unwittingly introduced us all to the 5th Ward Boyz and their penchant for benz, ‘hoochies’ and their unforgivable abuse of not just women, but pronouns (I’s a playa, I’s a never had to trick’).
Department stores have been bombarding customers with raunchy rap and hip hop playlists for almost a decade with what I suspect to be similar themes of fast cars, fast cash, booze, boobs, ass and dicks, all part of the marketing department’s ploy to subliminally induce guys to buy oversized cargo pants and basketball jerseys, because ‘that’s how yo roll with the chicks dawg’. But it’s not just rap painting women as fast and loose sex objects. Even some of the ‘radio-friendly’ pop stuff on the airwaves hint at getting high, drunk and making the ladies obey your every command if you threaten to hit them or douse them with narcotics and intoxicants.
Here’s a sample, for aspiring feminists to write ‘open letters’ about.
1. Blurred Lines. ‘But you’re an animal, baby, it’s in your nature’
2. Young Wild and Free. ‘So what we get drunk, So what we smoke weed’
3. Stupid Hoe. ‘You can suck my diznik if you take this jizzes’
4. The too obvious ‘S&M’. ‘But chains and whips excite me’
5. Timber. ”Im slicker than an oil spill. She say she won’t, but I bet she will, timber’
Gabrielle’s dad himself is an occasional rap playa. As Phua Chu Kang he rapped about SARS and graciousness on the train, a fine example of how rap can be used for the greater good beyond money and buttocks, even if he had to resort to some violence to get the message across( ‘Excuse Me While I Give you a KICK!’)
Apology to humanity accepted, F21. Maybe it’s time to switch your HQ’s playlist to the entire soundtrack to the female-empowering Frozen instead.
From AWARE Facebook page, 15 Nov 2013 and ‘Offensive verse of army song banned’, 16 Nov 2013, article by Jermyn Chow, ST
(AWARE) Ever wonder if speaking up about sexism really creates change? Here’s one case where it has! Earlier this year, AWARE learned of “Purple Light”, a marching song sung by many NSmen, which included the lines:
“Booking out, see my girlfriend
Saw her with another man
Kill the man, rape my girlfriend
With my rifle and my buddy and me.”
We were troubled that NSmen were bonding over misogynist lyrics about committing sexual violence against women. So we raised our concerns with MINDEF and SAF.
And now we have excellent news: MINDEF and SAF have confirmed that they took steps to investigate. They will “immediately halt” the singing of these lyrics, which they describe as “contrary to the values of [their] organisation”.
It’s really encouraging that MINDEF and SAF are prepared to listen to feedback, recognise this as an issue and take action on it. Thumbs up!
(ST)…Aware’s executive director Corinna Lim said in a statement yesterday that the group was alerted to the offensive lyrics by seven national servicemen during a workshop in July that was held as part of Aware’s ongoing campaign to stop violence against women.
Ms Lim said: “These misogynistic lyrics tolerate and normalise the violent sexual abuse of women, condoning gang- rape as a justified punishment for infidelity.”
She added: “Such lyrics may encourage young men at impressionable ages to objectify women, and contribute to an environment where violence against women is trivialised.”
If I had sung such a lyric during road marches or battalion runs I would have remembered it till now, but I don’t. I would also never think of participating in AWARE workshops to protest about army songs like these 7 NSmen did. In another version of the song, ‘rape’ is replaced by ‘beat’, which doesn’t make it any better by AWARE’s standards. Purple Light has devolved over the years, from a rousing ode to loyalty and patriotism to the extent of ‘burying yourself with your rifle and buddy when you die’, to one containing a tasteless, but more importantly, unfunny verse re-enacting some angry boy’s sick fantasy.
This is how the ‘clean’ version sounds like, with the violence and misogyny replaced by ‘broken heart, back to army’, where the recruit seeks solace in the Purple Light trinity that is ‘my rifle and my buddy and me’. No sir, nothing remotely kinky about that at all.
From the AWARE post, it seems that the Legion just wants SAF to stop singing those specific lyrics, but makes no mention of calling for the song’s BAN altogether, as interpreted by TRS. Maybe it’s time we standardise the song to the wimpy ‘broken heart’ version, but I doubt that anyone who continues to belt out the X-rated Purple Light would get any form of actual punishment beyond verbal abuse such as ‘KNNBCCB’ (next on the list of AWARE’s banned army words, perhaps?)
AWARE may nitpick on marketing bloopers like green eyeshadow for women and trophy boyfriend advertisements, but intruding into camp affairs like marching songs, swear-words or CB leaves is like a group of Girl Guides trying to infiltrate a Boys Only tree-house and telling them not to use ‘boobies’ as a secret password. We often use the phrase ‘fuck spider’ in camp but you don’t see the SPCA banging on our doors demanding to stop this gross bestiality. MOM are not taking NSmen to task for making their maids carry backpacks for them, and the Nature Society is not at all concerned about us messing with taxonomy when we name plants after female genitalia. For decades, NS has taken obscene liberties with sex equality, yet we haven’t become a nation of rapists and wife-beaters, as AWARE is terrified of us turning into after singing Purple Light while marching.
But it’s not just army songs that are too ‘rapey’ for their own good. What does AWARE think about Robin Thicke’s Blurred Lines then, a massively popular song that’s not confined to army grounds but blasted out there on the airwaves for little children to hear. Oh the humanity!
OK now he was close, tried to domesticate you But you’re an animal, baby it’s in your nature Just let me liberate you
That when a girl walks in with an itty bitty waist And a round thing in your face You get sprung, wanna pull out your tough ‘Cause you notice that butt was stuffed
Why, we should also abolish the classic analogy, or rather ‘objectification’, of rifles as soldiers’ ‘wives’, since we do a lot of weapon ‘stripping’, chain them up in an armory once we’re done with them, ‘muzzle’ them and rest our cheeks against their butts. The frequent use of ‘Guniang’ as a taunt is also degrading to the women, depicting them as the ‘weaker’ sex. Or ban sexy SAF Drama and Dance performers after a victorious field exercise and have them replaced by Village People tribute bands instead, singing ‘Macho Macho Man’, with our rifles and our buddies and… well, you get my drift.
That is where, I wanna be
Ironically, there’s a Purple Light Walk held in the US which aims to raise awareness of domestic violence. Also, a Purple Light movie in the works, which I hope has none of that sexist, misogynistic content that made Ah Boys to Men such a disgrace to the SAF. One Ah Boy actor, Ridhwan Azman, made the news after slapping his girlfriend. Not sure if the ‘Purple Light’ verse was playing in his head then, like a Satanic rock song coaxing one into sacrificing a virgin at the altar. In fact, AWARE nominated Ah Boys to Men for the prestigious Alamak award for its unabashed sexist violence (with a 48% vote), instead of calling for its rating to be revised to R-21 or something. We should really have an award for AWARE’s complaints, called the ‘AWARE Insistently Yakking On Hombres’ award, or ‘AIYOH’ for short.
Maybe AWARE should propose its own ‘You Go Girl!’ remix of Purple Light, which would probably contain lyrics like:
Purple line, take to Sengkang Lao Tiko, staring at me Take my heels, stab his birdie With my BFF and my Prada and MEEEE
Went shopping, got GSS
Saw my man, with another girl Take my scissors, cut off his testes With my BFF and my Prada and MEEEE
And we guys would just laugh it off, or cringe nervously, instead of complaining about graphic genital mutilation.
Postscript: Mindef later clarified that the song hasn’t been outright banned, but confirmed that the original version was indeed the ‘broken heart’ one. Despite the army having us ‘training to be soldier’ and ‘fight for our land’, there’s nothing a killing machine can do to confront his cheater girlfriend and her new guy except confide in his buddy and hug his rifle sobbing to sleep. I’d suggest removing the stanza altogether.