From ‘MDA on cuts to Chestnuts 50: script was sent in late’, 20 Sep 15, article by Akshita Nanda, ST
The Media Development Authority Singapore says the script for Chestnuts 50 was sent in late so “several problematic segments concerning an ongoing court case” could not be processed in time. It was responding to writer-director Jonathan Lim’s sketch parody show showing at the Drama Centre Theatre until Sept 27.
Last Friday, the show ended with Lim saying his team was told just hours before the opening show a day earlier to remove about 40 minutes of a central sketch inspired by the case of teen blogger Amos Yee, or forfeit their arts entertainment licence.
…Speaking to Life, Lim says he was surprised by the reason MDA gave to cut the Yee sketch, since another segment referencing an ongoing court case was passed. The current Chestnuts 50 performance includes a part inspired by the City Harvest mega-church case, where its founder and five others are alleged to have misused church funds.
*Warning: spoilers ahead*
I was fortunate enough to catch Chestnuts’ second performance last Friday. When Jonathan Lim made his announcement near the finale about the last minute change requested by MDA, I wasn’t sure if it was yet another of the many ‘meta’ gags made at the MDA’s expense. It turned out that he was serious and the Amos Yee gag was snipped, which I was looking forward to based on what I saw in their teaser materials online. If MDA had also decided to tone down the fiery ‘bromance’ between LKY and Lim Chin Siong in another major sketch, it would be a case of Chestnuts being ‘roasted on an open fire’, and the only thing left watching would be Jonathan channeling Kit Chan in drag.
According to Lim’s Facebook page, MDA’s reason given then was that it was an ‘ongoing legal case’. As for the City Harvest sketch, the slightest of changes were made to characters’ names, but everything else about the plot was rib-ticklingly obvious. Even Mediacorp’s The Noose managed to get away with mocking Sun Ho’s music career. And they’re probably itching to do an Amos one too, pending MDA’s green light.
The question would be: Legal case, SO WHAT? Has a gag order been imposed like how the AGC told the public to ‘refrain from commenting’ about last year’s Thaipusam incident? Furthermore, it seems a different set of standards apply to social media, where it’s a Amos Yee lampoon free-for-all. Even Amos himself managed to get his Facebook posts updated while he was in remand. Then there’s this Tumblr blog about Amos’ fashion sense.
Not to mention Youtube. Here’s examples of Amos parody videos which MDA apparently decided is OK for general viewing, ongoing legal case or not.
MDA also beat their personal record of late notification. Last year they issued a NC-16 advisory and licence to the Dim Sum Dollies just 3 days before the opening show. In their press release, they said that conducted the script review ‘expeditiously’, claiming that they received the script on 1 Dec 2014, 10 days before opening. Not so lucky for Elangovan’s ‘Stoma’ though, which was banned completely.
To be fair, maybe the MDA is indeed overburdened by regulatory duties, though some would say they brought it upon themselves, having to nanny not just films, radio, plays, video games and books but political videos and ‘sociopolitical’ websites as well. A previous attempt to introduce a ‘self-regulation’ scheme for arts groups to classify their own productions turned out to be an abject failure. So this last-minute censorship and its excuses about late submissions is like the MDA giving the arts community a retaliatory shrug: “We gave you a chance to regulate ‘ownself’ and cut the red tape, but you didn’t want to, so this is what you get’.
Maybe there is still hope for the Amos Yee sketch if Chestnuts decides to launch an exclusive on Youtube instead. The show is otherwise still worth catching without Amos inside. Hopefully this piece of news doesn’t make the ‘gao lak’ experience a ‘gao wei’ one.