Radiance of Resistance banned for skewed narrative

From ‘IMDA bans film on Palestine-Israeli conflict, citing its skewed narrative’, 2 Jan 2018, article by Yuen Sin, ST

A documentary film that was due to be shown at the Singapore Palestinian Film Festival on Thursday (Jan 4) has been banned from public screening by the Info-communications Media Development Authority (IMDA) for its “skewed narrative”.

The IMDA gave Radiance Of Resistance a rare Not Allowed For All Ratings (NAR) classification, over concerns that the film may cause disharmony among different races and religions in Singapore.

…According to the IMDA website, the one-hour film was banned from public screening and distribution here as it explores the Israeli-Palestine conflict “without counterbalance”.

“The documentary focuses on the Tamimi family, and two young girls, who are presented as the new faces of Palestinian resistance. In holding up the girls as role models to be emulated in an ongoing conflict, the film incites activists to continue their resistance against the alleged oppressors,” said the IMDA.

The trope is all too familiar. The rise of an underdog against the might of a superior power. A lone figure standing before a tank in Tiananmen Square. A Japanese soldier fending off American marauders. Tom Cruise in a conspiracy to assassinate the Fuhrer (Valkyrie). Hua Mulan charging on a horse against the Huns. Braveheart vs Mighty England. Pocahontas vs the Great White Male.

You get the point. ‘Skewed narratives’ are what STORIES are made of. The posthumous LKY film ‘1965‘ was skewed, so is Jack Neo’s juvenile depiction of NS life in the clusterfuck of Ah Boys to Men sequels. The Passion of Christ was biased towards the Romans. The Journey of the West epic put deities in a bad light. None of these got banned, or even a R21 rating, because filmgoers were trusted to form their own impressions. Because we’re sensible adults. We read books. If ‘counterbalance’ is desired, then it would be mandatory to view ‘To Singapore With Love‘ after ‘1965’.

Then a film from the Israeli-Palestine border comes along and the authorities suddenly decide to interpret its message as inflammatory propaganda on our behalf because national security. The thing is, if Singaporeans want to take up arms for some war-torn country in the name of religion, they’re not going to be inspired by an arty-farty documentary about teenage girl warriors. They’ll get self-radicalised from ISIS rap videos that promise rivers of wine and  virgins in the afterlife on You-fucking-tube.

Which is where everyone will turn to to watch Radiance anyway, thanks to IMDA’s inadvertent pitch.

 

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