Water Wally peeping at boy in the shower

From ‘PUB music video draws flak online’, 22 May 2013, article by Nigel Chen, My Paper

…Water Wally, the national water agency PUB’s water-droplet mascot, has been drawing mixed reactions for a music video which was posted online on April 15. The video, Water Wally Shower Dance, which was uploaded on PUB’s website and YouTube, features the mascot in a rap ditty, reminding children and adults to keep showers to under five minutes.

…PUB said that, by the end of the year, pupils in 185 primary schools would have learnt how to do the Shower Dance as part of its “Time to Save” programme. So far, pupils in 28 primary schools have been taught the dance….However, the video has drawn some flak online, with 186 dislikes on YouTube, compared to just 50 likes, as of 7.40pm yesterday.

…Ms Candy Kang, creative director of advertising agency Available, said: “The comedic nature of the dance, coupled with the exaggerated movements, detracts one’s attention from the original message of the video.” She also pointed out that a particular scene where Water Wally walks in on a boy showering in a bathroom is “inappropriate”.

Ms Kang added: “It shows someone (Water Wally) intruding on a boy’s privacy while he showers, which could also be seen as an outrage of modesty.”

Screen Shot 2013-05-22 at 8

Water Wally has a habit of barging into toilets. In the ‘Adventures of Water Wally’ cartoon, the perky little droplet charged into a forest latrine to turn off running showers and taps in the episode ‘Camp H20′. Although he has been accused of being a creepy paedophile or a serial murderer inspired by Psycho in this PUB video, Wally is portrayed as a heroic little squirt in the animated series who lives in an alternative universe where entering uninvited into showers to remind people not to waste water is the neighbourly, considerate thing to do.

In fact, Wally’s wide-eyed intrusion may be exactly the reason for the video’s success; by scaring little children into not bathing at all. I, for one, would hesitate to take a shit now without making sure the door is locked, though I would also be wary of Wally magically leaping out of the toilet bowl when I flush and dragging me into a raging vortex of my own piss and excrement. I didn’t think Wally needed to even handle a door knob. He could have transformed into a little puddle, seep beneath and door and watch you bathe all he wants before casting a charm that makes you para-para non-stop.

The ‘Shower Dance’ itself, if you ignore the terrible Black Eyed Peas influenced rap, is a mash-up of various genres of the art form spanning decades of pop culture. Allow me to break the moves down to argue why the Shower Dance has nothing to do with showers or contagious epilepsy at all.

The Hippy Hippy Shake

The Hippy Hippy Shake

The Robot

The Robot

Gwiyomi/Para Para

Gwiyomi/Para Para

Zombie Walk

Zombie Walk

I tried doing the first sequence of the Shower Dance while bathing myself and all it did was get the entire bathroom wet, not my naked body. With all that outburst of energy splashing around it’s not easy to ‘keep it to 5′. It also doesn’t emphasise on scrubbing behind the ears, under your armpits or between your toes. It’s probably more efficient to bathe with a scoop and pail, or use targetted wetting by directing the showerhead at dirty areas, but how can anyone boogie while holding some damn thing in your hand?

To help us keep track of our shower times, PUB distributed waterproof timers last year to stick on our walls. It’s probably a miracle device for people with OCD, but I want to get out of my bath after a long day REFRESHED, not feeling like I’m being buzzed out of bed for work. Rushing people into taking quick baths aside, we should also discourage couples from having prolonged sex in the shower and jilted teens from sitting in there crying all night with the water trickling down their sad faces like what they do in Mediacorp dramas.

Good try, Wally and PUB, but this shower dance thing is a total wash-out.

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Demon-cratic Singapore creator arrested for sedition

From ‘Cartoonist arrested over complaint’, 24 April 2013, article by Feng Zengkun, ST

SINGAPOREAN cartoonist Leslie Chew, 37, was arrested last Friday by the police after a complaint was filed against him about one of his cartoons, his lawyer said yesterday. Mr Choo Zheng Xi, who is with law firm Peter Low LLC, said Mr Chew was held over the weekend and released on Sunday night after posting bail of $10,000. He will have to report to the police again on April 30.

…Mr Chew draws the cartoon strip, Demon-cratic Singapore, which is posted regularly on Facebook. According to a description on the strip’s Facebook page, it is “a totally fictional comic with entirely fictional characters based on wholly fictional events in a fictional country“.

Mr Choo said Mr Chew is being investigated for alleged sedition, in relation to a cartoon posted on March 27 regarding the Malay population. He added that Mr Chew was also questioned about a second cartoon which was not included in the complaint.

This was posted on Dec 14 last year, and was the subject of a letter sent by the Attorney-General’s Chambers (AGC) to Mr Chew three days later, said Mr Choo. He said that in the letter, the AGC said the cartoon “scandalises our Courts through allegations and imputations that are scurrilous and false”. He added the cartoonist had not yet been charged.

Late last night, a cartoon depicting Mr Chew’s questioning by the police – whom he described as “very professional” – was uploaded on the Facebook page. Last night, the police said they were looking into the matter.

Chew’s cartoon was not discriminatory against Malays, but referred to the government of ‘Demon-cratic Singapore’ as a racist one. The strip that ‘scandalises’ the courts depicts a character called ‘Pinky’ Loong kicking a High Court Judge out of his office and also involves a cheating politician not so subtly named ‘Michael Phucker’. Other uncannily familiar characters in the Demon-cratic Universe include $8 KHAWTeo CHEE HONG, HAIRY Lee, THORNY Tan and Ho JINX. Incidentally, the evil party in Chew’s story is called ‘Party against People’. The entire cast sounds inspired by nicknames straight out of an EDMW or Sammyboy forum thread conceived by 13-year olds. Not exactly Mad Magazine material, I suppose.

Some authors have the nerve to do away with the ‘parallel universe’ angle and mock the PAP straight up. In 1971, 22 year old cartoonist Morgan Chua drew a cartoon of LKY riding a tank threatening to crush a baby symbolising the paper he worked for, the Singapore Herald. LKY’s also a favorite target of foreign humorists;  You can only purchase ‘Harry Lee Kuan Yew, A Pictorial Account of his Life and Times‘ online, a collection of lampoons by Rodney King, an Australian who worked here for more than a decade. In this book the ‘lovable old twerp’ ‘gets a good hand-bagging from Maggie Thatcher’ and ‘falls down a rubbish chute’. It would have been funnier if his caricature of LKY didn’t resemble the stereotype of a slant-eyed Asian.

You can, however, publish a book full of toon politicians here if you’re careful enough. Greg Nonis gave us ‘Hello Chok Tong, Goodbye Kuan Yew’ in 1991. Today, if you’re lucky, the authorities will tolerate your satire if you bypass the censors and post comics on your own blog or Facebook, provided you cover yourself with the appropriate disclaimers and give your characters names that would trigger a knowing smirk in your reader but not an angry lawyer’s letter. My Sketch Times features a DR ‘WOLF WU‘ who’s ‘helping to change the way traffic procedures are performed’. S’pore Says posted a cartoon of a ‘Mr Wong’ in a Monkey King head vice getting a headache when the mantra ‘Mas Selamat’ is chanted. The Cartoon Press, which I must say boasts some of the best pencilwork I’ve seen so far, has a turkey with what looks very much like Lim Swee Say’s head.  Some of this stuff is actually funnier than Demon-cratic Singapore, which has ‘episodes’ with too much text and one too many cringingly lame name-puns.

Anyway here’s a random picture of our Prime Minister in a pink shirt. Hmm..I wonder if anyone has made a caricature of this already.

 

F-word allowed in PG13 films

From ‘New PG13 rating introduced’, 15 July 2011, article in asiaone.com

The Media Development Authority (MDA) today introduced a new classification rating, PG13, for shows on TV, movies, or on DVD.

Ms Grace Fu, Senior Minister of State for Information, Communications and the Arts, announced this at an event at the National Library on Friday morning.

PG13 is an advisory rating that falls between the PG or Parental Guidance rating, and NC16, which is a restricted rating for those aged 16 and above.

She explained: “For instance, for a movie like The Dark Knight, which I am told contained themes of fear and menace, is now classified as PG when it may not be suitable for the very young ones. NC 16 on the other hand, may be too restrictive. With this new PG13 rating, parents of young children can be better guided in their media choices.”

Based on Grace Fu’s reasoning, all 7 Harry Potter movies should have been rated PG-13, for having ‘dark’ themes like black magic, implied murder and ‘fear’ of Lord Valdemort. And yet no such ratings exist for the books,  which any child below 13 can buy off the shelves and immerse in the gritty details themselves, only because no parent has the time to screen JK Rowling’s material before dispensing ‘guidance’ to their kids about how evil the dark arts are. Why are we shielding children from ‘fear and menace’ when this is already happening in schools in a more debilitating form? (Fear of failure, menacing bullies, parents and psychotic teachers). Why are parents reading ‘Three Little Pigs’ to their kids then? (Fear of house blowing down, menace of Big Bad Wolf).

The ‘G’ rating is practically unheard of, and usually spells box office disaster for films, almost entirely cartoons, bearing this sterile rating. Does the G-rated ‘Sammy’s Adventures’ ring a bell? (Plot: A sea turtle travels the world while it is being changed by global warming. Sounds like an epic adventure already. Doesn’t he at least get chased by a shark?) Even seemingly innocuous animation films like ‘Legend of the Guardians:The Owls of Ga Hoole’, ‘Madagascar’ and even the Spongebob Squarepants movie were slapped with a PG rating. So does it really matter if Transformers:Dark Side of the Moon were rated PG-13 (if the first shot of the female lead’s curvy posterior is anything to go by) or PG? ‘Parental guidance’ is an obsolete concept because parents don’t ‘guide’ anymore; they either prevent their kids from viewing films altogether or just wait for them to ask Daddy questions such as what’s a woman doing lying semi naked in a man’s bed.

It’s ironic that the Classification Guidelines published by MDA should itself be given a R21 rating. Just look at the filth it contains below. The expletive ‘pundai’ (Tamil equivalent of cunt) is totally new to me, not to mention to any kid smart enough to look up this document himself to answer the question ‘Why PG13?’

 It’s also strange how they muffled the F word in this table, but allowed it in all its uncensored glory earlier in the document.

Coarse language and gestures with sexual connotations are not allowed in G films as they are easily imitated by young children. In PG13 films, expletives such as ‘fuck’ may be permitted if infrequent. Stronger language is acceptable in NC16 films. When classifying M18 and R21 films, consideration would be given to the degree of offensiveness (i.e. vulgarity and religious association) and frequency of such language.

Here’s the guidelines again on the differences in the extent of nudity allowable in a PG and a PG13 film.

PG: Discreet portrayal of back nudity is allowed if it is brief and in a nonsexual context. Full frontal and side nudity is not allowed.

PG13 Discreet and fleeting side profile nudity may be allowed in a non-sexual context. Full frontal nudity is not allowed. However, infrequent portrayal of female frontal nudity of the upper body may be allowed only under exceptional circumstances and in a non-sexual context. For example, films which feature historical or dramatised events such as the World War II Holocaust, tribal ways of life, or health programmes.

I’ve no idea what ‘side nudity’ means, does it mean an adult woman with a side view of her breasts exposed? What about a woman with her ‘side-view’ buttocks and thighs exposed but not her breasts? What about those positions in between a back and side nudity, where you can see a bit of both back and front? Is a topless man allowed in a PG film?What about full frontal naked 7 year olds? Or breastfeeding? What about an attractive woman doing a mammogram, compared to say, a granny?

This sub-classification is simply creating further ambiguity within itself and words like ‘discreet’, ‘infrequent’ and ‘fleeting’ are all annoyingly subjective.  It trivialises adolescence as a period not only hopelessly vulnerable to filmic elements, but one that can be segregated neatly in terms of how ready you are to handle words like ‘fuck’ or ‘side nudity’. Today’s 12 twelve year olds are no longer what they used to be 20 years ago, at the rate they’re already being exposed to ‘Strong and realistic depictions of violence and gore’ (R21 Violence) from video games and the Internet. PG 13 also serves as an excuse for the censors to snip offending parts of NC-16 films just to make the cut (pun intended) for the lower, more accessible rating. So although it appears that the MDA is making more options available, this is an unnecessary step backward in our bid to be a more open, mature society.  They forgot the ‘single print’ rating though, which you’re likely to see more often than a G rated movie these days.

Grisly Toons

From Misleading – those TV programmes for children 23 August 1977 Letters to ST

Tom and Jerry, Tweety and Sylvester, Daffy Duck…Scooby Doo and the Road Runner series. What do they have in common? – The primary objective of amusing and entertaining, but through painful slapstuck and churlish violence.

You (Barbera, Hanna) are leading young impressionable children to think nothing of the considerable pain and suffering these comic characters have been inflicted with.

Oh I’m sure kids in those days would go around with sticks of dynamites, bait others with huge crushing boulders or lure them off cliffs after watching endless episodes of Road Runner. Later in the 80′s it’s not flattened bodies that irks people, but the whole existential morality of He-man vs Skeletor.

This deathtrap would fit nicely into any of the Saw movies


Cartoon villians escaping all the time

From Too much violence in new cartoons 6 Jan 1987 ST Forum

I fear that the children who watch these cartoons regularly may be adversely influences and led to think that it is right to use force to subdue wrong-do-ers.

In Mask, for example, Venom always escapes from the grasp of the law when the character’s evil plans are thwarted by Mask agents. Similarly, in Transformers and He-man, the evil forces of the Decepticons and Skeletor are never destroyed.

I would, therefor, urge it (SBC) to bring back non-violent, and hence better, cartoon series like the Scooby-Doo and Scrappy do show, the Flintstones, Superfriends, Alvin and the Chipmunks and Walt Disney’s Mickey and Donald Show.

Liu Jiaqing was 14 when he wrote this  and already beginning to sound like a strict father. I strongly object to the casual association between “non-violent and hence better”. You don’t see any blood splatter in Mask, He Man or Transformers. In fact, Scooby Do with its emphasis on the occult and ghostly images may be more detrimental to our children’s  psychological health. Alvin Chipmunk, constantly grating on John’s nerves, is an icon of disobedience. Wonder Woman in Superfriends wears skimpy attire. And don’t get me started on Donald Duck’s trouserless sailor top.

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