ESM Goh on Singapore becoming a Garbage City

From ‘S’pore may end up as a ‘garbage city”, 29 Jan 2015, article in Today

The Republic may end up as a “garbage city”, said Emeritus Senior Minister Goh Chok Tong today (Jan 29) following reports of how a part of the Gardens by the Bay was covered with rubbish following a music festival.

His remarks come a day after Prime Minister Lee Hsien Loong posted a picture on his Facebook page, which showed rubbish strewn on the ground following the 2015 Laneway Festival at the Meadow at Gardens by the Bay. About 13,000 people attended the Saturday event..

…In a Facebook post, Mr Goh wrote: “Our reputation as one of the world’s cleanest cities is going down the rubbish chute. It looks like a case of ‘monkeys see, monkeys do’.” He noted that Tokyo has no rubbish even though the Japanese capital has no rubbish bins in public places.

“The Japanese take their snack wrappers, empty bottles and ponchos home to dispose. That is why Tokyo is a fine city without ‘fine’ signs. That is why it is a clean city with no foreign workers.”

Mr Goh added: “Without foreign workers, Singapore is likely to become a ‘garbage city’. Cleanliness is a character thing. It shows who you really are. “

While our PM Lee was calm in his criticism of the ‘Landway Landfill’, using the more nuanced ‘cleaned city’ to describe our dependence on an army of labourers and shameless sense of entitlement (some Laneway goers interviewed in a ST article assumed that cleaning services were included in the festival ticket), our former PM has no qualms about trash-talking and putting our disgusting habits in the spotlight. Interestingly, he has summoned the analogy of ‘monkey see monkey do’ to describe the contagious mimicry of littering. And what do monkeys eat?

Here’s a clue, courtesy of Mrs Goh Chok Tong herself in reference to a certain NKF chairman’s salary, in full uncensored glory.

For a person who runs a million-dollar charitable organisation, $600,000 is peanuts as it has a few hundred millions in reserves.’

As they say, if you pay peanuts, you get..well – you know.

But back to Garbage by the Bay. The Laneway fallout isn’t new. We have been called ‘Garbage City‘ since 1983. Anyone who has stayed back after the NDP festivities to witness the mess left behind would hang their head in shame at the average 15 TONNES of rubbish per show. We can forgive Laneway hipsters, whose fashion accessories actually aspire towards ‘litter-chic’. We may even put the blame what one would expect to be a large non-Singaporean crowd among the audience. But to desecrate a parade ground after the nation’s birthday and singing along with Kit Chan to ‘Home Truly’ is just unforgivable. It makes a MONKEY out of National Day. It’s like blowing out Singapore’s birthday candles on a giant stadium sized cake, and then pooping all over it before we leave.

Even the phrase ‘cleaned city’ is recycled. Vivian Balakrishnan used it in 2012. Liak Teng Lit says that being called a ‘clean city‘ is a JOKE. But nobody’s laughing. It’s easy to rubbish our selling point to the world as a spick and span little red dot. Changing the mindset of the typical litterbug, however, takes more than a cute frog mascot, a public campaign with Ah Boys to Men singing in it, some ugly bright yellow CWO outfit to show the world you’re an incorrigible, lazy excuse of a human being, or slapping a outrageous fine on someone caught tossing cigarette butts out of his HDB window. A picture of the Laneway aftermath ought to speak a thousand words, yet no one seems to be listening.

So fine. We’re a bunch of spoilt ungracious louts with poor ‘character’. But what’s also annoying, though, is the tiresome comparisons to ‘spotless’ Japan every time some venue transforms into a junkyard after celebrations. ESM Goh says ‘Tokyo has NO rubbish’, which, from personal experience in my travels there, is a cliche and an exaggeration, though it still is generally cleaner than the little red rat-infested dump that we’re living in now. You don’t need a major event to show our true colours. I’ve seen people dumping an old TOILET BOWL in my void deck. Old folks still spit without repercussion. Drains are clogged after void deck events. Trays are not cleared. Don’t get me started on our toilets.

Sadly, the Japanese’s culture of shared responsibility and concept of ‘homeland’ has yet to sink in, and we’re struggling to work through the hypocrisy of celebrating recycling and Earth Hour on one hand, but on the other brushing parking coupon tabs to the ground when no one is looking. Our children are taught phonics before they are trained to throw their crap into dustbins.

We’re still haunted by the proverbial fishball stick. Unless something is done to address the psyche of the littering Singaporean who expects to be picked up after, we’ll get poked by the same issue again and again, relying on some reporting app launched by the MSO to complain about things lying around when it’s faster for us to pick it up and throw it away. While we look to the Land of the Rising Sun for inspiration in vain, this sunny island in the sea is fast becoming the ‘Land of the Rising SLUM’.

A-Mei’s Rainbow performance banned by MDA

From ‘No A-mei’s Rainbow for an outdoor event as it is accessible by anyone, including the young, says MDA’, 13 June 2014, article by Boon Chan, ST

The Media Development Authority (MDA) has confirmed that it had advised a music festival’s organiser not to have A-mei’s Rainbow performed. The Straits Times had broken the news here online on Wednesday that the Taiwanese diva had been prohibited from singing the track at the 2014 Spring Wave Music And Art Festival at Gardens by the Bay on June 7.

The song Rainbow is about gay relationships and A-mei is also regarded as a gay icon. According to an MDA spokesperson, this was because Spring Wave was an outdoor event accessible by all members of the public.

“For indoor events, consumer advisories are used to allow consumers to make more informed media choices for themselves and their children. The nature of outdoor performances at public spaces, such as Spring Wave which was held at Gardens by the Bay, makes it difficult to do the same. Hence, organisers of these events should ensure that their performances are suitable for general audiences.”

Overseas media reports noted that the singer was perplexed as she had previously performed the song at her gigs in Singapore.

Rainbow contains the following gay lyric: ‘Our loves are very similar, we get hurt because of men, yet we continue colliding’. It also makes a not so subtle reference to a closet (‘spacious enough to keep your paradise’). Yet it doesn’t make any explicit references to lesbian sex, or even kissing. On the other hand, despite our ban on a Katy Perry song from radio stations, the superstar still performed ‘I Kissed a Girl’ to an emphatic singalong at Singfest 2010. Which means the ban didn’t work one bit.

There’s also another platform to listen to Rainbow which is also ‘accessible by all members of the public’. It’s called YouTube. It has a live performance of A-mei waving a flag and showcases members of the audience spontaneously gay kissing.  In Singapore. Is MDA going to ban this from YouTube too?

From the video above it becomes clear to me why Rainbow is banned. It encourages heterosexual and homosexual people to smooch each other and spread the love around like a goddamn virus. Thanks for thinking of the children, MDA. Please make sure the song isn’t performed at Pink Dot too, lest we turn Hong Lim Park into a sticky mass orgy. And under no circumstances should you allow a situation where we have Adam Lambert and A-mei doing a Rainbow duet, indoor or outdoors, for the love of all things straight and innocent.

Before the rainbow became an international symbol of gay pride, it was a celestial slide into a pot of gold, a natural wonder that springs hope and brings smiles all round. The colours of the rainbow was the only mnemonic I still retain till this day after learning it in primary school. Now, thanks to the MDA, you can’t watch The Wizard of Oz or listen to a singing Kermit the Frog without wondering if their songs contain subliminal messages promoting this ‘alternative lifestyle’. My childhood is ruined forever.

Take ‘The Rainbow Connection’ for example, which can be re-interpreted as a gay anthem.

Rainbows are visions, but only illusions, (the illusion that sex can only be heterosexual)
and rainbows have nothing to hide. (come out, gays of the world!)
So we’ve been told and some choose to believe it.
I know they’re wrong, wait and see.
Someday we’ll find it, the rainbow connection.
The lovers, the dreamers and me.

Oh, Kermit. Miss Piggy ought to know.

No water splashing allowed at Songkran festival

From ‘Singapore’s 1st Songkran water festival goes dry’, 25 March 2014, article by Melody Zaccheus, ST

There will be no water pistol fights, celebrity dunk stations, or really, any kind of water fun at Singapore’s first Songkran water festival on April 12 and 13. The organisers of Celebrate Songkran 2014 at the Padang have taken heed of the national campaign to conserve water and nixed the water-based activities.

Instead, they will host a Water Conservation and Water Heritage Exhibition in conjunction with national water agency PUB. The organisers said this was appropriate in view of the recent dry spell and current moves to cut back on water usage.

Though lighting designer Sanischaya Mankhongphithakkul, 25, agrees with the rationale, it still feels a little odd. “What’s a water festival without water?”

The whole point of traditional Songkran is to get soaking wet, as dousing is symbolic of washing away bad luck. It’s also the Thai New Year, usually accompanied by Buddhist activities such as prayer sessions, as what took place back in 1999 during Singapore’s first open-air Songkran near Paya Lebar MRT. In 1988, Songkran was held at the now defunct Big Splash, where other than getting wet and wild, participants would be expected to burn joss sticks and bathe statues of Four Face Buddhas. Otherwise, Golden Mile Complex is the place to be if you want to mingle with Thai workers ringing in their New Year with water fights. It’s a religious festival, not an excuse to get fashionably drunk and watch Far East Movement.

No wonder Thailand’s Ministry of Culture, Ms Yupa Taweewattanakijbaworn, had reportedly (according to the ST article) threatened to sue festival organisers for ‘undermining the values’ of the Thai festival, not so much that we’re cutting out the real star of the show for conservation reasons, but because we’re twisting the agenda to suit our needs and flying in entertainers, turning it into yet another outdoor pop music festival that’s really a B-grade cousin of the F1 megaconcerts, headlined by a band who’s not even Thai to begin with. How would you feel if Westerners adopted our version of Chinese New Year, but just went around eating dim sum, making fortune cookies or ‘lo hei-ing’ over meatballs and spaghetti instead of yusheng?

The ‘CelebrateSongkran’ website continues to run misleading images of drenched people with Supersoakers, oblivious that the banning of water activities has, in a manner of speaking, rained on everyone’s parade. Conservative Christians who refuse to fold paper ingots at their grandmother’s funeral should not attend by the way because of its religious (i.e ‘paganistic’) origins.  Yes you can’t have water fun because your God forbids it.

Screen Shot 2014-03-25 at 11.05.19 PM

Dampnation!

Songkran in Singapore used to be an intimate, simple, even holy affair, celebrated only within a niche community, now commercialised and rebranded as a pseudo rave party like how the Indian ‘festival of colours’ Holi has turned into a rainbow powder orgy. I wouldn’t be surprised to find Water Wally prancing around on stage either, blind to the irony that by completely overturning the theme toward water conservation just to avoid cancelling the damn thing, you forget that you’re also splurging on electricity and raking up carbon miles flying in celebrities. I mean, we could just run another ‘Keep it to 5′ campaign rather than bullshit our way through someone else’s New Year celebration, and with the $60 price tag for 2 nights of partying, you’re more likely to see rich teens and expats there than the folks who appreciate the true meaning of Songkran, the homesick Thai workers. The only sprinkling of any sort you’ll see there will be drunkards taking a piss by a bush, or the buckets of sweat produced by the people cleaning up after your mess when the night’s over.

It also sets an awkward precedent for future events which have the slightest implications on the natural environment. Should we stop people from burning incense during Qing Ming because of the haze? Stop circulating new $2 notes or printing ang pows in the event of worsening global deforestation? Scrape F1 during an oil crisis? Ban St Patricks Day or Oktoberfest when there’s an epidemic of hops infestation? Put a stop to Hungry Ghost Festival offerings during a famine? If you want to enjoy REAL Songkran without some event organiser messing it up and turning it into a poor man’s foam party (without the foam of course), yet don’t want to be seen wasting water, you can do it at a pool or beach where you can splash all you want. More importantly, it’s FREE, and you don’t have to listen to bloody annoying Far East Movement while at it.

 

Singapore flag mis-Used at rock concert

From ‘American rock band vandalises Singapore flag as part of on-stage decor’, 23 May 2013, Stomp

STOMPer Djent was concerned after learning that a Singapore flag vandalised with the words ‘The Used Nation’ across it was used as an on-stage decoration for a recent concert by American rock band The Used. In his report, STOMPer Djent wrote:

“This pop-punk bank from the USA, The Used, had a concert in Singapore at the Hard Rock Cafe Coliseum in Sentosa on May 18.

“Apparently, a Singapore flag was used as stage deco and it was vandalised with the words ‘THE USED NATION‘.”

..pledge ourselves as one Used people

..pledge ourselves as one Used people

The ‘Used Nation’ is what the fan club of the Utah band ‘The Used’ calls itself, and I suspect the flag was purchased, painted over and presented by Singapore fans rather than the band itself, following the trend of displaying defaced host flags at international performance venues. In the band’s Facebook page, you’d see images of ‘The Used Nation’ being written on flags all over the world including Brazil, Sweden, Russia and even Japan, which the band apparently loves to bits. I wasn’t sure if the Used were a post-hardcore/screamo/pop-punk band who sang about politics which may explain the flags, so I checked out the lyrics to a song titled ‘Now That You’re Dead’, taken off the latest album ‘Vulnerable’.

‘Die! Die! Die! Die!
‘Breathing! Not Breathing! Breathing! Not Breathing!’

Nope, doesn’t sound like a call to anarchy to me. But just to be sure, this is from ‘Disaster’

Making love to her cadaver.
Like I said, I had to stab her.

Again, just your usual necrophilia and murderous violence. Nothing to get riled over. All part of the band’s repertoire of ‘making positive music‘, I suppose.

I doubt any of these nations have taken the Used to task for disrespecting their national flags, and it’s unlikely that Singapore will be the first. The authorities may, however, decide to shut down their concerts like what happened to metal band Cradle of Filth, or impose a requirement to take down your particulars whenever you decide to buy the National Flag outside of National Day and run a background check to see if you ‘follow’ the Used on Facebook. And then deploy some plainsclothes cops with black eyeliner as fake Used fans to seize your paraphernalia at the concert.

Land of the Rising Used

Which sets us up not just as a ‘Used Nation’, but a DOUBLE-STANDARD one as well. Local artists have been slammed and their work clamped down for using the National flag as a motif, while we allow sore loser Malaysian football fans and American rock bands to get away scot-free. The law doesn’t stipulate any exemption for foreigners showing contempt for the flag, but if I zip around town with wearing a CLEAN flag around myself like a cape, I’m likely to get arrested under Section 9, Sub-Section 4 of the Singapore Arms and Flag and National Anthem Act (Chapter 296). Hell, I may even get a warning letter if I write ‘I LOVE Singapore’ on our beloved Red and White or perform an acoustic version of Majulah Singapura at a pub with a ukelele decorated with five stars and a moon stickers. I can’t imagine what would happen if I starting rapping the Pledge.

Cradle of Filth banned from St James Powerhouse

From ‘No venue for Cradle of Filth’s gig’, 28 April 2013, article by Tan Yee Kun, TNP

THEY were set to play on Friday night in Singapore for the first time. But three days before UK extreme metal band Cradle of Filth’s ticketed gig at Powerhouse at St James Power Station, the owners of the venue decided to pull out, leaving fans in the lurch and the organiser scrambling for an alternative stage

Tickets were priced at $100, with an early bird rate of $80 and $120 at the door.

Mr Dennis Foo, chief executive of St James Holdings, told The New Paper yesterday that he was alerted to the band’s background by one of his “associates”.

He said: “We decided not to allow the concert (to be held at) our venue after we were sounded out, and after we checked their website. Their content (contains) heavy (anti-religious) elements and vulgarities.

“St James, as a responsible operator, cannot allow these types of performances on our premises, especially when our entertainment licences are at stake.”

The lead singer of CoF Dani Filth comes from the ‘heart of the English countryside‘ and helms a band that sings about ‘vampires and werewolves’, except that extreme death metal isn’t the kind of stuff you’d hear on a Twilight soundtrack. ‘Dark’ and ‘morbid’ lyrics betraying a scholarly grasp of medieval occult and Crow-inspired make-up aside, the folks at Cradle of Filth turn out to be pretty normal people in real life who actually smile and don’t look like they’re about to impale you with a pitchfork or grow giant fiery bat wings and drag you down to Hell, as the Inokii Facebook page reveals. They have, however, caused quite a stir with a T-shirt featuring a nun in a ‘compromising position’ and features extreme Jesus blasphemy. Sounds not that far off from Lady Gaga antics.

Still, Dennis Foo and the St James honchos should have done their research before committing to a venue for the band. Just as someone didn’t like Adam Lambert’s gay lifestyle, one of Dennis Foo’s buddies thought that Powerhouse was no place for raging dark metal full of blood, questionable ‘lords’ and overall damnation. I have no idea what Foo’s or his associate’s religious inclinations are, though ironically in 2001 the man was responsible for the DEVIL’s Bar at Orchard Parade Hotel, a themed waterhole for a football club that calls itself ‘The Red Devils’. He also put up a white paper on his own to lobby for the casinos. A black metal addict may very well damage his hearing from his music or be a sucker for the Antichrist, but a gambling addict does far more destruction to himself and everyone else around him. I’m not sure which of the two is the greater ‘evil’ here.

Surely, the band title itself should alert you that they’re not here to do Bon Jovi or Nickelback cover versions. Although most people attuned to milder forms of elevator music would freak out at the guttural incantations of extreme metal, it’s worth noting that the genre has a rabid following here, one website listing the number of metal bands at a stunning 197! We’ve also had our share of ‘underground’ metal festivals such as 2011’s CARNAGE fest, which features names like Cardiac Necropsy and Remains. Cradle of Filth sounds tame in fact (Every bundle of joy leaves behind a cradle of filth) compared to the nightmarish likes of Devourment, Dying Fetus, Blood Anatomies, or ANALDICKTION. The latter is a local band by the way, and it has a song called ‘CB destroyer’. Mommy…

Any literate person WOULD know if a band is black metal or not simply by looking at its name. It’s either has death imagery, virulent disease, or scary Latin words straight out of the Necronomicon in it.  In fact, you can think up one yourself in a jiffy, like Lethal Injection, Rigor Mortis or something pants-pissingly terrifying like Final Examination, Internal Security or One Direction (STRAIGHT TO HELL). If, however, you don’t know anything about the macabre or John Milton you’re no better off than a D-grade horror movie, an ageing professional wrestling tag team (Legion of Doom, Demolition), or a bad Kiss tribute band.

Last year, another metal band ‘Inquisition’ was banned from performing at the True Metal Invasion fest for reasons unclear. I checked out some of the lyrics and found Satan-summoning and song titles like ‘Ominous Doctrines of the Perpetual Mystical Macrocosm’. That’s what you get when you combine a love for the occult and quantum physics. The song ‘Crepuscular Battle Hymn’ has the lyrics: Crushed from the blow of my hammer strike/ Thrones made of gold crumble from the blast. Which sounds like freakin’ Thor’s anthem, for God’s sake. Hardly the kind of stuff to possess horny boys so that they can molest little girls. Ban this but allow ‘Motherfather’ Gentleman’ on radio? May the scythe of my Leviathan lord lay a thousand curses on your rotten soul.

Kids clapping between movements in Esplanade concert

From ‘Children need better guidance in arts appreciation’, 15 April 2013, Voices, Today

(Liu Yiru): I watched a wonderful performance at the Esplanade last Friday evening by the Nanyang Academy of Fine Arts (NAFA) Orchestra and Chorus, in celebration of NAFA’s 75th anniversary. Among the audience were distinguished composers, NAFA alumni, as well as guest performers from London’s Royal College of Music.

Also in the audience was a class of Primary 3 or 4 students accompanied by two teachers. I must commend the school and teachers for exposing their students to classical music and cultivating their interest at such a young age.

However, I believe many in the audience were, like me, shocked when the students clapped between rests that marked an end to significant sections in the fourth movement. It is recognised and accepted that the audience applauds only at the end of a piece and not at the end of every movement or worse, whenever they supposed the piece “seemed to end”.

What does this say about the’ teachers? Do the teachers have an understanding of concert etiquette? Do teachers have musical background or basic musical knowledge to guide their students’ appreciation for music in the right direction? Were there enough teachers to handle the number of students? This incident shows that our teachers’ competence in developing and educating Singapore’s future in the arts has much room for improvement.

If in doubt, always take the cue from others when you’re a concert novice. Untimely clapping can earn you dirty looks as much as sitting cross-legged with your shoes off. These kids were just being polite even though they’re likely to be bored stiff, and you’d be sending conflicting instructions if you told them that there are only certain points in a performance when they’re ‘allowed’ to clap, a mentally strenuous task that gets in the way of one’s enjoyment of the classics. It’s like I’m not allowed to use my hands to tuck into the pincer of chilli crab, and can only do so for the purpose of dipping the buns into the gravy.

I doubt the teachers themselves were aware of such a custom, and most people, myself included, would shift nervously in their seat if any performance appears to end and there would be this nagging, awkward pause or the nervous, muffled cough before hesitant applause. As a consolation, even President Obama himself once joked about the No Applause rule, which itself deserves a topic in musicology and seems to have its origins in cranky maestros and composers who abhorred over-clappers and didn’t care about the fact that their salaries were paid for by their audience. Such restrictions were in place even in the 70’s, when intrusive applause ‘disrupts the pattern’ of the programme and found to be ‘very irritating and distracting’, making otherwise harmless applause sound as disruptive as blowing a trumpet into a surgeon’s face while he’s performing emergency heart bypass surgery.

I’ve never attended an SSO concert, but only because I have no idea where to get a monocle, a shiny cane and can’t clap my hands in the dainty manner or timing befitting of concert etiquette.  I’d have to restrain myself from expressing my joy if I were to find a piece so haunting it moves me to tears, that if I couldn’t bear it and had to give a standing ovation clapping my hands sore and weeping my grateful heart out, my outburst of spontaneity would be rewarded with the harsh shushing and tsk-ing from a couple of concert snobs like some menopausal librarians shutting a genius up when he’s having his ‘Eureka’ moment. If I’m really unlucky, the conductor, furious that my clapping cramped his style, would grab the nearest cymbal and try to decapitate me by throwing it in my direction like a frisbee.

According to the SCO website, it is ‘best not to clap’ between movements of a larger composition, but it’s perfectly acceptable, maybe even recommended, to blare ‘Bravo’ and ‘Encore’ as loud as a soccer hooligan when it’s finally completed. No, you can’t wolf-whistle or yell ‘Awesome!’ too. At least the kids didn’t break out into a spell of ‘annoying, distracting’ coughing for a full 80 mins of SSO concert, or play with their mobile phones, munch crackers or giggle among themselves. Clapping between movements has its supporters who deem it a necessary, reverent inconvenience as there are those who dismiss it as fatuous snobbery. If I were in a band I’d imagine playing to a bunch of disadvantaged orphans or handicapped kids to be a more fulfilling experience even if they clapped every 5 minutes, than to some snooty folks who know everything about my music and etiquette, but might as well be ‘enjoying’ themselves with a mp3 recording of my music in the privacy of a cemetery.

Adam Lambert concert promoting gay lifestyle at StarPAC

From ‘Church feels the heat over gay singer’s gig’, 2 March 2013, article by Tessa Wong, ST

THE National Council of Churches of Singapore (NCCS) is looking into a complaint about a church-owned venue hosting an upcoming concert by openly gay singer Adam Lambert. Lambert is due to perform next Friday at The Star Performing Arts Centre, a commercial entity fully owned by Rock Productions, the business arm of New Creation Church.

New Creation is a member of the NCCS, which represents about 200 churches in Singapore. NCCS general secretary Lim K. Tham said the council had received a complaint from a Christian that “the gay lifestyle may be promoted at the concert, and that the concert venue is owned by a church,” he said.

“The NCCS has conveyed this concern to New Creation so that it can make a response.”

The Media Development Authority (MDA) said it has also received feedback from some members of the public “expressing concern” about the concert. It declined to reveal what their concerns were. Even though it is not the first time that Lambert has performed here, the NCCS said it did not receive complaints about his previous gigs. The MDA declined to say whether it received any complaints about him previously.

He performed at Resorts World Sentosa in 2010 and sang at the Formula One Grand Prix at the Padang in 2011. (He ‘came out’ in 2009)

…This is not the first time that Christians have raised concerns about a pop concert in recent months. The MDA previously met with the NCCS and LoveSingapore, a network of 100 churches, about Lady Gaga’s concert in May last year. It is understood that they had raised concerns over how she may have insulted Christians and promoted homosexuality at her concert.

The Star PERFORMING ARTS centre at Buona Vista sounds like a venue for an evening of ballet and other classy types of refined entertainment, like an uglier Esplanade of the West. Yet it showcases a diverse range of celebrities from golden oldies to K-pop, saccharine David Foster to Bollywood, sleepy Norah Jones jazz to the flamboyant razzle-dazzle of American Idol runner-up Adam Lambert. Earlier this year, the church-owned theatre wowed male audiences with  an all-girl group from Japan known as the Ebisu Muscats. Unbeknownst to many, the Muscats are in fact a spin-off novelty act consisting of nude models and PORNSTARS.  The NCCS said nothing then. Oh I forgot, those guys don’t watch porn. They were also seemingly fine with singing pastor Sun Ho’s China Wine video.

NCC insists that its Star stage operates independently from the workings of the Church, like a secular debauched fantasy realm of its own, though the theatre is just an escalator away from a Christian book and music shop. Lambert’s music is not known to promote any agenda for ‘free love’ or cast a cursory eye on religion unlike Lady Gaga’s overt references to biblical characters (Black Jesus, anyone?). Last year, 300 Protestant South Koreans gathered for group prayer cum protest against Gaga’s Born this Way Ball. I wonder if anyone has already booked Hong Lim Park for a similar vigil to save humanity from Adam Lambert. A commenter from the NCC Facebook page refers to Lambert’s gig as an ‘appearance of evil’ (1 Thessalonians 5:22). The actual quote from the Bible is ‘Abstain from all appearance of evil’, or ‘If you see a gay dude with eyeliner, run far, far away’.

You can pray and Air guitar at the same time, it seems

As the singer proudly proclaims, he’s just here ‘for your entertainment’, though that entertainment may include him kissing his band guitarist amid the gothic ‘glitter and leather’ extravaganza. Up yours S377A!

The people complaining to NCCS and Malaysia’s hardline opposition party PAS have something in common then, both terrified of a gay epidemic, with the latter forbidding Lambert from even showing fans his nipples. In response to allegations of promoting homosexuality in Malaysia, he said:

Does my show ‘promote the gay lifestyle’? It promotes living ANY lifestyle that includes the freedom to seek love and intimacy

Lambert’s ‘We Are Glamily‘ tour was also recently cancelled in Manila due to ‘unforseen circumstances’. This is the same country where Christian and Muslim brotherhoods unite to banish demonic singers. Interestingly, the ‘Glamily’ title was left out for the Singapore promo. Sistic calls it ‘Adam Lambert Live in Singapore’. Imagine how outraged the church elders must feel if it had been left intact. Some gay singer coming here to break up the family unit! Dear Lord!

I wonder what the wholesome folks at NCCS think of Elton John (who has a male spouse, surrogate child and an orchid named after him) performing Candle in the Wind for charity here. Elton John is the last person Singaporean teens would look up to on sexuality matters of course, nevermind that he implores you to ‘Feel the Love Tonight’ on a Disney cartoon. Lambert is gay AND cool, which in the conservative Christian’s mind is an equation that adds up to ‘666’.

A question every openly gay singer will have to ask when seeking to meet their fans in this part of the world is: Whaddaya want from me? Whaddaya want indeed. All together now…

Yeah, it’s plain to see (plain to see)
that baby you’re beautiful
And it’s nothing wrong with you
(nothing wrong with you)
It’s me, I’m a freak (yeah)
but thanks for lovin’ me
Cause you’re doing it perfectly

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